English
“There was a time in the last decades of the eighteenth century
and the first
half of the nineteenth century, reflected dimly in
the prints,
paintings and surviving relics of that era, which eff-
ectively
symbolises our deep-rooted yearning to escape from
the
mindlessness of modern existence through its portal where
glimpses of a
beautiful, unpolluted world with clean, graceful
architecture
starkly contrasts with the smoke-discoloured ed-
ifices of
concrete in today’s wilderness of ugly buildings set in
a wasteland of
dying forests. … Such vistas, such colour and
the pleasure
they produce are of different orders to anything
we now
experience. So much so, that were we to glimpse, feel,
smell and
taste how life once was (against the natural back-
ground sound
of birds, brooks and horses’ hooves instead of
the cacophony
of aeroplanes, industry and motor vehicles) we
would probably
think ~ and indeed dream ~ differently … ”
— Seán
Manchester (Mad, Bad and Dangerous to Know, 1992).